Category: NOTES to VISITORS

On the: Reading, Understanding & Pseudotranslation of PLƒA

PART IV

PLƒA is a call to DO BETTER!

The title can & should also be understood
to say and/or mean, or be translated/read as;

“Four Little Letters Make Tribe”

Which is referring to the word “LOVE”
which is what stitches up the tribe-family-
community and keeps it all together.

Our little “Tribe” is also held together
with LOVE, but we have a second LOVE
that creates and binds our tribe-family
together. This second “LOVE” we have
is a four-letter word. But it’s just an art-
istic way to name our unnamed “something”
and so this second “LOVE” is also a 3.
But we know that “Three” is spelled with
five letters.

Seeing that Letters is always spelled with an L.
And All Spells is has two Ls
Or four, & four letters is L
and double Ls, well
Two Ls is just double
And we know by now
That its those Ls
That makes our L
DO BETTER!

At this point let us turn to the English title to
explore its proper reading/meaning;

“F! Is a Four Letter, A-Word”

“A-Word” references yet another alternate
name/word for our “something” A further
reference to “LOVE“, which as we now
understand is sometimes a 3-letter word.
Meaning that “something” is the “A-word.”.
The “A-Word” begins with an A
(obviously) & A is identical to L
that is until you right it.

So to state (once again) what
may, or may not be
obvious,
this
is
BETTER!

~The Management

RELEVANT

PART I Ω PART II Ω PART III Ω PART IV

∞

d’Çłęƒțïį

Only Friends are Real
Embrace Shulgin-ness
DON’T SCARE THE HORSES
DO BETTER!

≈Ω≈

TheVacantCleft.com
^©2025
d’Çłęfțïį VVækåńțęæ

——CIRCS——

On the: Reading, Understanding & Pseudotranslation of PLƒA

PART III

PLƒA is NOT glyptoglossia!

It should be understood that when attempting a
pseudotranslation of the PLƒA scriptese (which I assure
you is NOT a type of glyptoglossia) both phrases &
words (near-always) have multiple translations &
interpretations with poly-layered meanings and
more often than not, attempts to relate more than
a single idea or message.

Now, let’s take a look at the title of one of the poem-
oids at d’Çłęfțïį VVækåńțęæ as an example…

“Fœr ´Lętêr ѵñbęrs Måçæ T’rįßę“

A suitable translation of which might be:

“Four Letter Numbers Make Three”

First, let us review a few simple facts;

~The number 5 has four letters
“FIVE“, when spelled as a word.

~The number 4 has four letters
“FOUR“, when spelled as a word.

~The number 3 has five letters
“THREE.”, when spelled as a word.

So with these facts** we can see that;

5=4
4=4
3=5

**Sure, but its always good to remember
that this is true only in an artistic &
numerology-bullshite-type way

What is being communicated (albeit in an
occult way) is that this poem-oid is about a
three letter “something“.

“THREE” as we have just reminded our-
selves is spelled using five letters & “LOVE“
which is another acceptable name for this
3-letter “something.” All of us can see that
“LOVE” is spelled using four letters.

Our 3-letter “something” then is also then a “5”
via the poem-oids internal logic,

as;
(5=4) as: The numeral 5 has
four letters when written as a word
(4=4) as: The numeral 4 has
four letters when written as a word

“LOVE” being another acceptable name for
our “something.” Making, “LOVE” a place-
holder (alternate name) for the unnamed
“something.” 4 letters are used to spell the
word “LOVE“

This “something” (which has a three letter
name in English) can also be spoken of then
by the 4-letter word “LOVE” so;

(4=3) as: The 4-letter word “LOVE“ is another
name for our 3-letter “something“

The number “3” spelled with “FIVE” letters, so;
“FIVE“, or “5″, then refers to our “something,”
because using the established logic within the
poem-oid we’ve detailed above;

The number “3” is spelled with five letters;
so:
3=5

So then, by the logic of the poem-oid;

if;
5=4,
4=4,
&
4=3 Then the numbers 3,4, & 5 are all equal to a
name that is commonly used for our unnamed
“something” being spoken of in this poem-oid.

“LOVE” begins with an “L“

The “something” referenced throughout this
particular poem-oid (at least when written or
spoken in English), also beings with an “L“

So to state (what at this point) may
or may not (but should be)
obvious,
this
is
BETTER!

NEXT:
įÅ Pōrçïį Łâtiæ d’Åpæñïį, no. 4/4

RELEVANT

PART I Ω PART II Ω PART III Ω PART IV

∞

d’Çłęƒțïį

Only Friends are Real
Embrace Shulgin-ness
DON’T SCARE THE HORSES
DO BETTER!

≈Ω≈

TheVacantCleft.com
^©2025
d’Çłęfțïį VVækåńțęæ

——CIRCS——

On the: Reading, Understanding & Pseudotranslation of PLƒA

PART II

PLƒA is “Base_L“ in flavor

PLƒA celebrates the d’vine wholyness of
the “L“. A scriptese derived from & existing
souly to recognize the important truth of
the “L” This truth then proselytizes the
good news of the heaven-sent “L” with a
form of self-anchoring feedback loop via
its users. More specifically, one’s artistic
expressions, relationships & the language
structures of the brain itself.

What can be said of this truth?

In a world without “L” we are doomed.
Not having even a chance of arriving
at the truth of our existence. Not having
a way to even say “lost“. And ONE can
neither find anything, nor progress
forward if ONE does not register that

ONE is LOST

Without “L“, the entirety of Creation
becomes dim and much more poor.
A Creation within which we find
it just that much harder to exist.

Those who manage to “survive” within
such an inferior sphere, having more
sadness, more anger, being quicker to
frustrations & more easy to annoy.

An increase in grayness, & fewer joys
than can be known and loved with its aide.

We fear this abomination.
A Creation devoid of sacred “L” breeds a
regressed humanity reduced to beast hood.
A humanity terrified & dis-eased by the
depraved sound of our own tongues.

With just a sliver of d’Lucky & a decent
amount of “L”s LOVE, we believe that;

CAN ALL BE SAVED?

From the impoverish mental state of such
an inferior existence, one can be saved by
the wise use of “L” which give access to its
wondrous, age-extending humors & properties

To be more specific the unmatched power as
an instrument of autorecreation. Accessed
exclusively through the intelligent use of “L“.

Loathsome, Lifeless & Lethal
(is a) Language Lacking LOVE

A serious scholar. A real serious guy, may in fact
stumble and/or struggle to read or grok PLƒA.
Whereas many weirdos, artists, creatives, a
few scientists & chemists, and at least a clown
& one journalist that I know,

ALL DO BETTER

NEXT;
įÅ Pōrçïį Łâtiæ d’Åpæñïį, no. 3/4

RELEVANT

PART I Ω PART II Ω PART III Ω PART IV

∞

d’Çłęƒțïį

Only Friends are Real
Embrace Shulgin-ness
DON’T SCARE THE HORSES
DO BETTER!

≈Ω≈

TheVacantCleft.com
^©2025
d’Çłęfțïį VVækåńțęæ

——CIRCS——

On the: Reading, Understanding & Pseudotranslation of PLƒA

PART I

Pig Latin ƒor Apes

PLƒA is layered and lyrical yet still
an incredibly useful scriptypese.

Comparing it with the ridged, vulgar
& near-dead languages which enjoy wide-
spread use & favored by sumbunal
societies today, PLƒA is…

living & fluid and FUN!

It does follow a modicum of intuitive rules,
but these rules are also;

flexible & living & FUN!

Its closest relative amongst written languages
is the “Scriptish,” left by James Joyce.
Rev. Joyce created this seminal example and
defacto template for such before departing.

Good lord!
All there to Study?

The entirely linguadelic & psychostrephein
“Finnegans Wake“, the Tale of a DREAM,

The ONLY book ever written in the history
of our language, of which is commonly stated,…

Took longer in the reading of,
then it does in the writing of.

A certain similar, though less intense type of
phonetic spelling, and writing, up until quite
recently, was the most common way to record
the words of a spoken language (english at least)

It is fairly limited in its rules. With only the sound
corresponding to individual characters/letters,
being agreed upon (for the most part) by those
proficient in the art. The writing of PLƒA is made up.
Evolving through each individual using the scriptese.

PLƒA is also ripe with references to the movies,
music, books, comics, and other bits of popular
culture,embedded in the environ-
ment of modern culture (in the USA at least).

So, PLƒA can only be as clever, or as witty;
As playful, or as goofy or fun, as is the artist,
or any One Ring Who Rights It.

NEXT;
įÅ Pōrçïį Łâtiæ d’Åpæñïį, no. 2/4

RELEVANT

PART I Ω PART II Ω PART III Ω PART IV

∞

d’Çłęƒțïį

Only Friends are Real
Embrace Shulgin-ness
DON’T SCARE THE HORSES
DO BETTER!

≈Ω≈

TheVacantCleft.com
^©2025
d’Çłęfțïį VVækåńțęæ

——CIRCS——