PART II PLƒA is “BaseL“ in flavor– -∑- -øø22024
On the: Reading, understanding & pseudotranslation of PLƒA
PART II
PLƒA is “BaseL“ in flavor
PLƒA celebrates the d’vine wholyness of
the “L“. A scriptese derived from & existing
souly to recognize the important truth of
the “L.” This truth then proselytizes the
good news of the heaven-sent “L” with a
form of self-anchoring feedback via the
users of the scriptese. More specifically
one’s artistic expressions, relationships &
the language structures of the brain itself.
What can be said of this truth is this;
In a world without “L” we are doomed.
Not having even a chance of arriving
at the truth of our existence. Not having
a way to even say “lost“. And ONE can not
find anything, or progress forward if
ONE does not register that ONE is LOST
Without the “L” all Creation would be
dim & much more poor.
A Creation within which, we might find
it just that much harder to exist.
Those surviving within such an inferior existence
having more saddness, and more anger, being
frustrated and quick to annoy. With even
more grayness & fewer joys then we know &
experience with the benefits of its aide.
We fear a Creation devoid of or without “L” might
produce a humanity regressed, reduced to beasts. A
humanity that would be stagnated & dis-eased
by the terrifying in-humanness produced by
the depraved sounds of our own tongues.
But, with a bit of the lucky & definitely a decent
amount Ls LOVE, we believe ALL CAN BE SAVED
from the impoverish mental state of such an inferior
existence. Saved by the divine “L” and its many
wondrous, age-extending humors & properties.
Or, to be more specific the unmatched power as
an instrument of re-creation that is accessed
through the intelligent use of “L“.
Loathsome, Lifeless & Lethal
(is a) Language Lacking LOVE
A serious scholar. A real serious guy, may in fact
stumble and/or struggle to read or grok PLƒA.
Whereas, the many weirdos, artists, creatives, a
few scientists & chemists, and at least one clown
and one journalist I know, all DO BETTER.
It should be understood that when attempting a
translation of the PLƒA scriptypese (which I assure
you is NOT a type of glyptoglossia) phrases &
words (near-always) have multiple translations &
interpretations with poly-layered meanings and
more often than not, attempts to relate more than
a single idea or message.
Now, let’s take a look at the title of one of the poem-
oids at d’Çłęfțïį VVækåńțęæ as an example…
“Fœr ´Lętêr ѵñbęrs Måçæ T’rįßę“
A suitable translation of which might be:
“Four Letter Numbers Make Three”
First, let us review a few simple facts;
~The number 5 has four letters
“FIVE“, when spelled as a word.
~The number 4 has four letters
“FOUR“, when spelled as a word.
~The number 3 has five letters
“THREE.”, when spelled as a word.
So with these facts** we can see that;
5=4
4=4
3=5
**Sure, but its always good to remember
that this is true only in an artistic &
numerology-bullshite way
What is being communicated (albeit in an
occult way) is that this poem-oid is about a
three letter “something“.
“THREE” as we have just reminded our-
selves is spelled using five letters & “LOVE“
is another acceptable name for this 3-letter
“something.” All of us can see that “LOVE” is
spelled using four letters.
Our 3-letter “something” is also then a “5”
So using the poem-oids internal logic,
as;
(5=4) as: The numeral 5 has
four letters when written as a word
(4=4) as: The numeral 4 has
four letters when written as a word
“LOVE” being another acceptable name for
our “something.” Making, “LOVE” a place-
holder (alternate name) for the unnamed
“something.” 4 letters are used to spell the
word “LOVE“
This “something” (which has a three letter
name in English) can also be spoken of then
by the 4-letter word “LOVE” so;
(4=3) as: The 4-letter word “LOVE“ is another
name for our 3-letter “something“
The number “3” spelled with “FIVE” letters, so;
“FIVE“, or “5″, then refers to our “something,”
because using the established logic within the
poem-oid we’ve detailed above;
The number “3” is spelled with five letters;
so:
3=5
So then, by the logic of the poem-oid;
if;
5=4,
4=4,
&
4=3 Then the numbers 3,4, & 5 are all equal to a
name that is commonly used for our unnamed
“something” being spoken of in this poem-oid.
“LOVE” begins with an “L“
The “something” referenced throughout this
particular poem-oid (at least when written or
spoken in English), also beings with an “L“
So to state (what at this point)
may, or may not be
obvious,
this
is
BETTER!
įÅ Pōrçïį Łâtiæ d’Åpæñïį, no. 3/4
PART I
∞
d’Çłęƒțïį
Only Friends are Real.
Embrace. Shulgin-ness.
DO BETTER!
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